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Published: Jan 28, 2013 11:13 AM
Modified: Feb 01, 2013 03:41 PM

In Holly Springs, turning poverty’s lessons into art
 

 

 

Jonathan Daniel's largest creations are his wrapped-wire motorcycles, which take hundreds or thousands of hours of careful twisting.

 
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See his art

Jonathan Daniel will give a presentation at 6 p.m. Feb. 9 during the Holly Springs Community Arts Festival. Tickets are $10 before Feb. 4. Call 919-567-4000 for more information.


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HOLLY SPRINGS - akenney@newsobserver.com

Jonathan Daniel was born into cruelty and poverty in Africa.

But if his beginning was unhappy, he hasn’t let it linger.

People ask: What’s the secret? What’s Jonathan like behind the closed doors of his Holly Springs home?

And his wife of 16 years tells them: “You don’t see a version of him that I don’t see every minute of every day.”

The 47-year-old man is earnest and focused, Robin Daniel said, whether he’s roiling up an auditorium of middle-school students during a presentation or bending metal wire into another intricate piece of art.

Today he is father to a 4-year-old, and his craft has gained regional fame. Early next month, Daniel will headline the first Holly Springs Community Arts Festival.

But there’s a part of him that’s not obvious in his exuberance.

It starts with the story of his name.

Born into cruelty

Daniel was known in youth as “Penga Penga,” or “Crazy Crazy,” a moniker he shared with the British plantation owner who kept his family in wage slavery.

He grew up in the former U.K. colony of Rhodesia, in present-day Zimbabwe. His parents were illiterate and hopelessly indebted to the farm. Their country was wrestling for and with its new independence.

And Daniel himself was born in staggeringly cruel circumstances, he said. On the day of his birth, Daniel’s mother was beaten near to death by the tobacco farm’s owner, who thought she wasn’t working hard enough, Daniel recalled.

The woman was bloodied so badly that the other farmhands began to prepare her body for burial, she later told her son. But from the savage beating by the plantation owner came the miracle: The mother-to-be awakened and the boy who would become Jonathan Daniel emerged, according to the family story.

As tradition dictated, the Rhodesians gave the baby a name to mark the occasion: “Penga Penga,” the same as they called their cruel overlord, Daniel said. He wouldn’t learn the meaning of the name until he was 12 years old.

As a young man, he said, the newly learned story of his mother’s near-death piled onto years of poverty and institutionalized racism. He took his new name, Jonathan Daniel, and a jaded new outlook on life.

“I became the bitter, angry child,” Daniel said, leaning back on the couch in his garage workshop. “... I was very, very prejudiced. I could not look a white man in the eyes.”

No time for sorrow

Daniel’s son is growing up a world away from where his father did. The boy named Penga lived illiterate and unschooled until his teenage years.

His son, Tembo, will likely attend the Wake County Public School System, whose greatest challenges are busing and growth.

But that success can come with its own curse. When he’s putting on art demonstrations in Wake schools, Daniel sees kids paralyzed by comfort.

“I come in with the poverty streak of thinking,” Daniel said. “You think you’ve got it worse, listen to me. And if I could come out from what I was under, imagine you, who have already started well off, imagine what you could do.”

As a child, the former “garden boy” taught himself to bend metal into rudimentary toys. He believes the practice of a craft emboldened him – and, years later, set the stage for an unexpected livelihood.

His toy-making hobby took off in Florida, where Daniel moved in his 20s with the help of missionaries and friends. The young man was in school to become an aircraft mechanic, but he found his metal-wire creations came into quick demand once he showed them off.

Twenty years later, his workshop walls are lined with his handiwork, all made with metal and bare hands. The smallest metal lizard might take two hours of wrapping and bending. The wheel of his life-sized motorcycle took 30 hours.

For Daniel, art is the anchor for dreams that constantly tug at him. Each twist of the metal wire, he hopes, is a step closer toward a big break: He’s convinced that the most elaborate of his work could be worth hundreds of thousands of dollars, or even millions to the right buyer.

“How do I get my name out there to those people with the money?” he asked, sifting through his dozens of completed pieces. “I want them to watch with me. Let me show you what I’m going to do with that money.”

What he’ll do, he said, is reinvigorate his homeland.

Big ideas

Today, Daniel is among the few living men who worked on the farms of his youth, he said.

Most went to an early grave, but his family survived intact, including eight younger siblings.

He credits this success to the missionaries and foreigners who opened the door to the United States.

To continue their work, Daniel has long sent thousands of dollars annually back to Zimbabwe, he said. He and his wife run a nonprofit that schools and supports orphans and widows in a country where the poverty rate runs above 70 percent.

In some years, the charity has fed up to 2,500 people annually.

The Daniels have taken a half-dozen trips to Zimbabwe in recent years, and Robin Daniel went herself one summer.

“I always thought I loved Zimbabwe because I loved my husband. But now my heart is connected there,” said the nurse-in-training.

The economic downturn hurt the nonprofit’s finances, Jonathan Daniel said, and the group has scaled back operations in the face of new Zimbabwe government rules.

But they’re hoping now to regroup, with a focus on building infrastructure, from wells to schoolhouses. Daniel believes it must be black people who spearhead these changes; he thinks that colonial atrocities have prejudiced many black Africans against white faces.

“If I had money, I could mobilize something bigger,” he said. “We could challenge with something very simple. ... We’re going to go to your village and we’re going to start with your school. We can make a change in Africa, and then start taking that model everywhere.”

Given a chance, Daniel spools out even bigger dreams.

He hopes to start an exchange program, trading students between Africa and the United States. He wants to build a model village in the Triangle, done in the style of his father’s Chikunda roots. And while they’re at it, he and his wife have been ramping up an organic chicken farm in Holly Springs, which can host 1,600 hens at once.

Daniel’s prone to over-ambition, maybe, and to forgetting his appointments. That’s why his wife takes the managerial role, reminding him where he’s supposed to be each day.

In return, Robin Daniel said, he puts some lift in the world.

“You can’t rain on his parade,” she said. “He’s too busy leading the parade to recognize there’s a cloudy sky.”

Kenney: 919-460-2608 or twitter.com/KenneyOnCary
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